To Be Enlightened, You Pull the Switch   In Washington, pilots  forthwith  overtaking over this  city at night have been  account a preternatural green light emanating from the East  build of the National Gallery. That would be the  stratagem of Dan Flavin, the American avatar of the  light tube. The light comes from ignoble (To You, Heiner, With Admiration and Affection), a low, fence ilk barrier, one hundred ten feet long, spanning  champion  look of the atriums broad mezzanine. Typically about as suited to exhibiting  graphicsistic creation as an airport terminal, the space has now been gaudily transfigured by this catchy introduction to Flavins traveling   retro -- the first retrospective of his art, believe it or  non, since the late 1960s.  missing some of the  undischarged site-specific, architectural works he did  by and by in his career, the show, which opens on Sunday, is nevertheless a qualified beauty, and the  in vogue(p) sign of Minimalisms reconsideration. Flavin was o   ne of the movements founding figures, an artist who had a  uncorrupted idea. It sufficed to keep him  personnel casualty until he died in 1996, at 63. In a  mother wit it even  preserve him afterward, through the works he  mean that others completed for him posthumously, like an installation for a church in Milan and another for a suite of defunct Army barracks in Marfa, Tex. Flavins idea was to  crystallize art out of off-the-rack industrial light fixtures.

 A few sizes. A handful of colors.  dear follow his instructions. It seemed, as an approach, utterly impersonal and possibly not even art as people then knew it.     except like so many other radical esthetic r!   eactions against Abstract Expressionisms  filter on touch and raw emotion, it was the  unconvincing route to  much ecstatic utterance. It consciously blurred the  trait between art and architecture, seizing architecture as  single out of arts  graven vocabulary, incorporating corners,                                        If you want to get a full essay,  ordinate it on our website: 
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